|
Why sync?
(1999)
Rupert Huber |
|
Liquidspace
(1999)
W. Jauk, H. Ranzenbacher |
|
An
Art History (1996)
W. Temmel |
|
atlas
(1996)
I. Bordoni, E. Marchesin,
R.P. Dalò |
|
Berliner
Theorie (1996)
S. Auinger, R. Huber,
D. Sysop, M. Smith |
|
Censoratorium
(1996)
R. Huber |
|
Collider
(1996)
T. Blackwell, R. Huber, A. Alexander |
|
ausländer
und
staatenlose (1996)
A. Garton, T. Satellite |
|
stumme
h - award 98 (1996) |
|
Lastentry
(1996)
A. Zapp |
|
liquidmusic
(1996)
H. Ranzenbacher, txtd-design |
|
intima
(1996)
I. Stromajer |
|
Grammatron
(1996)
M. Amerika |
|
Multi-Mega-Book
(1996)
R. Huber, F. Fischnaller, A. Josephine, P. Dave, S. Y. Maharaj |
|
nomemory
(1996)
V. Grancher |
|
O+A
(1996)
S. Auinger, B. Odland |
|
moving
moments (1996)
K. Hofstetter |
|
polyphemus
(1996)
C. Jerez, J. Iges |
|
The
Nibelungen Bridge (1996)
R. Adrian X |
|
summer
(1996)
sha. + burkhardt |
|
traces
(1996)
T. Laborta |
|
truth
(1996)
E. Redl |
|
Urban
Islands (1996)
Schilcher, Palmetshofer |
|
vehicles
of prosperities
and progress
(1996)
S. Winter |
|
vvv
(1996)
Manuel Schilcher, D. Offen- huber, G. Palmetshofer, M. Rutgerson |
|
Globe
Theatre:
Robotic Pageantry
(1996)
A. Wortzel |
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